Reviews

THE HINDU

Sankaranarayanan’s fin­gers match the speed of his mind; his arith­metic is pre­cise and he has a bright future.

R Sankaranarayanan’s play­ing (mri­dan­gam) was unob­tru­sive and embell­ished sahitya.

R Sankara­narayanan on the mri­dan­gam was impres­sive. His thani was exuberant.

Sankara­narayanan on the mri­dan­gam was burst­ing with per­cus­sive pat­terns in the fast mode.

Mri­dan­gist Sankara­narayanan, a dis­ci­ple of Srimush­nam Raja Rao, kept both the vocal­ist and audi­ence in a com­fort­able zone with his accom­pa­ny­ing tal­ent and solo effort.

R Sankara­narayanan was the bright young­ster who bol­stered the con­cert with brisk rhythm.

Com­mend­able rhyth­mic thrust by mri­dan­gist R Sankaranarayanan.

The thani by young vid­wan Sankara­narayanan was memorable.

R. Sankara­narayanan (mri­dan­gam) pro­vided sparks of flashy laya pat­terns to embell­ish the songs besides a vibrant tani.

INDIAN EXPRESS

R Sankaranarayanan’s mri­dan­gam spoke elo­quently of his guru Srimush­nam Raja Rao’s training.

Sankara­narayanan, a young mri­dan­gam artiste was quite spir­ited in his percussion.

RASIKAS.ORG

Review of Abhishek Raghuram’s con­cert — Unnati, Bangalore.