Collaborator
R. Sankaranarayanan’s journey as a percussionist is marked by an extraordinary privilege: the opportunity to collaborate with some of the greatest and most revered legends of Carnatic music, as well as luminaries from other musical traditions. His performances have been enriched by his partnerships with towering figures such as Chevalier Dr. M. Balamuralikrishna, Dr. T.K. Govinda Rao, Padma Bhushan Sri P. S. Narayanaswami, Padma Shri Dr. N. Ramani, Clarinet Everest Sri A.K.C. Natarajan, Dr. T.V. Gopalakrishnan, Padma Bhushan Madurai Sri T.N. Seshagopalan, Madurai Sri G.S. Mani, Manakkal Sri Rangarajan, Padma Bhushan Sri T.V. Sankaranarayanan, Sethalapathy Sri Balasubramanian, Sri O.S. Thyagarajan, Bombay Sisters, Padma Bhushan Dr. Sudha Raghunathan, Padma Shri Aruna Sairam, Violin Maestros Sangeetha Kalanidhis Lalgudi Sri GJR Krishnan & Lalgudi Smt. Vijayalakshmi, Grammy Awardee Violin Maestros Sri Ganesh Rajagopalan & Sri Kumaresh Rajagopalan, Veena Virtuoso Dr. Jayanthi Kumaresh, Padma Shri Bombay Jayashri, Chitraveena Maestro Sangeet Samrat Sri N. Ravikiran, Violin Maestro Nagai Sri R. Muralidharan, Smt. Suguna Purushothaman, Smt. Suguna Varadachari, Sangeetha Kalanidhi Sri Sanjay Subrahmanyam, Sangeetha Kalanidhi Sri T.M. Krishna, Flute Maestro Chevalier Sri S. Shashank, Hyderabad Sisters, and Priya Sisters, among many other musical greats.
Each collaboration has added its own unique layer to Sankaranarayanan’s already rich musical canvas, and his ability to adapt and blend seamlessly with such an incredible array of artists is a testament to his exceptional mastery over rhythm and percussion. Beyond Carnatic music, Sankaranarayanan has extended his collaborative reach to Hindustani musicians as well, working alongside Pandit Ronu Mazumdar, Ustad Shahid Pervez, Pandit Tejendra Mazumdar, Pandit Rakesh Chaurasia, and the renowned Saxophone Maestro Sri George Brooks, in numerous Jugalbandhi performances that highlight the fusion of South Indian percussion with the vibrancy of North Indian instrumental music.
His artistic versatility also stretches into the realm of Harikatha, where Sankaranarayanan has collaborated with the doyens of the genre such as Smt. Banni Bai, Thanjavur Smt. Kamalamurthy, and Kalyanapuram Sri Aravamudaachariyar, adding a dynamic rhythmic depth to their spiritual storytelling performances.
Sankaranarayanan’s connection to music goes beyond his collaborations—it is deeply rooted in a legacy passed down through generations. Coming from a traditional Nama Sankeerthanam family, he considers it a blessing to have been trained by accompanying his father, the esteemed bhagavathar, scholar, and philanthropist Sankeerthana Kalanidhi Papanasam Sri R. Ramani Bhagavathar, from a very young age. Starting from home and continuing to global performances, his father's profound musical expertise and guidance have been a constant source of inspiration. His legacy extends further as he has collaborated with several great names in Nama Sankeerthanam, including Pithukkuli Sri Murugadass, H.H. Sri Haridass Giri Swamigal (Guruji), H.H. Sri Namananda Giri Swamigal (Namaji), Gemini Sri Balu Bhagavathar, Sethalapathy Soundararajan Bhagavathar, Thanjavur Sri Thyagarajan Bhagavathar, and many others. He has gained a wealth of knowledge through his performances while accompanying his grandfather, Nada Sudhaarnava Papanasam Brahmashri Kunjumani Bhagavathar, whose influence continues to guide him in many of his performances.
Another noteworthy aspect of Sankaranarayanan’s remarkable career is his dedication to preserving and expanding the Thiruppugazh tradition. His collaborations with Brahmasri Delhi Sri Raghavan Guruji and Purasai Sri Arunagiri in various Thiruppugazh concerts have been pivotal in enhancing this devotional genre. He has meticulously documented over six hundred varieties of Thiruppugazh Sandha Talam percussion compositions, ensuring that these sacred rhythms endure for generations to come. One of the most profound and enriching collaborations in this regard has been with Sri V. Lakshminarayana Bhagavathar, with whom he spent years practicing, exploring, and documenting these intricate compositions. Together, they have created a comprehensive archive of percussion solo compositions within Sandha Talam, which serves as an invaluable resource for future generations of musicians. Sankaranarayanan remains committed to expanding this documentation, with a deep resolve to preserve even more varieties of Sandha Talams. He has also conducted multiple lecture demonstrations, sharing this invaluable knowledge with both students and enthusiasts, thereby ensuring the continuity of this tradition.
For Sankaranarayanan, collaboration is not just about sharing the stage with fellow musicians—it is about creating a harmonious synergy, where all the elements of music—rhythm, melody, and emotion—align seamlessly. True collaboration, in his view, is the collective effort of all artists to elevate the musical experience, bringing out the deepest emotional resonance of each piece. By deeply understanding the nuances of the music and each artist’s contribution, Sankaranarayanan strives to create an immersive experience that resonates with the audience, leaving them in a state of musical ecstasy. Whether it is the rhythmic intricacies of Carnatic music, the soulful storytelling of Harikatha, or the devotional fervor of Thiruppugazh, Sankaranarayanan’s collaborative spirit continues to be a source of inspiration, bridging diverse traditions and enriching the musical world with his extraordinary skill and passion.